Inherited Bodies begins with three naked bodies: my own, my mother’s, and my grandmother’s. Seen together, our bodies map the places where lineage creates continuity and rupture. This work grows out of my desire to understand why struggles with body image, eating, and consumption have followed me throughout my life, and how these patterns are shaped by the cultural systems that pass quietly from one generation of women to the next.What if a thigh were not too large or too aged, but simply a shape within space—a living geometry?

Latex yellows and hardens; cyanotypes slowly lose their image with exposure to sunlight, making each print ephemeral. They are not meant to last—they are meant to change. Eventually, they will decay, and from that decay, they can be recycled and reimagined again. This blending of mediums is not fixed; it allows room for experimentation and adaptation—like humans, we are ever-changing beings.